Fleda immediately guessed from his tone that he had not come in to say what she supposed; there was even something in it to confirm Mrs. Gereth's belief that their danger had dropped. She was sure, moreover, that his tribute to Mona's taste was a repetition of the eloquent words in which the girl had herself recorded it; she could indeed hear, with all vividness, the pretty passage between the pair. "Don't you think it's rather jolly, the old shop?" "Oh, it's all right!" Mona had graciously remarked; and then they had probably, with a slap on a back, run another race up or down a green bank. Fleda knew Mrs. Gereth had not yet uttered a word to her son that would have shown him how much she feared; but it was impossible to feel her friend's arm round her and not become aware that this friend was now throbbing with a strange intention. Owen's reply had scarcely been of a nature to usher in a discussion of Mona's sensibilities; but Mrs. Gereth went on, in a moment, with an innocence of which Fleda could measure the cold hypocrisy: "Has she any sort of feeling for nice old things?" The question was as fresh as the morning light. At this our young lady smiled. "Yes, because it was a disappointment. She had been so sure."!

The girl's heart gave a tremendous bound; the right way dawned upon her in a flash. Obscurity indeed the next moment engulfed this course, but for a few thrilled seconds she had understood. To send the things back "for her" meant of course to send them back if there were even a dim chance that she might become mistress of them. Fleda's palpitation was not allayed as she asked herself what portent Mrs. Gereth had suddenly perceived of such a chance: that perception could come only from a sudden suspicion of her secret. This suspicion, in turn, was a tolerably straight consequence of that implied view of the propriety of surrender from which, she was well aware, she could say nothing to dissociate herself. What she first felt was that if she wished to rescue the spoils she wished also to rescue her secret. So she looked as innocent as she could and said as quickly as possible: "For me? Why in the world for me?" The position of a bit of furniture was one that Fleda could conscientiously accept, and she by no means insisted on so high a place in the list. This communication made her easier, if only by its acknowledgment that her friend had some thing left: it still implied recognition of the principle of property. Something to hate, and to hate "comfortably," was at least not the utter destitution to which, after their last interview, she had helplessly seemed to see Mrs. Gereth go forth. She remembered indeed that, in the state in which they first saw it, she herself had "liked" the blessed refuge of Ricks; and she now wondered if the tact for which she was commended had then operated to make her keep her kindness out of sight. She was at present ashamed of such obliquity, and made up her mind that if this happy impression, quenched in the spoils of Poynton, should revive on the spot, she would utter it to her companion without reserve. Yes, she was capable of as much "action" as that: all the more that the spirit of her hostess seemed, for the time at least, wholly to have failed. Mrs. Gereth's three minutes with Owen had been a blow to all talk of travel, and after her woeful hour at Maggie's she had, like some great moaning, wounded bird, made her way, with wings of anguish, back to the nest she knew she should find empty. Fleda, on that dire day, could neither keep her nor give her up; she had pressingly offered to return with her, but Mrs. Gereth, in spite of the theory that their common grief was a bond, had even declined all escort to the station, conscious apparently of something abject in her collapse and almost fiercely eager, as with a personal shame, to be unwatched. All she had said to Fleda was that she would go back to Ricks that night, and the girl had lived for days after with a dreadful image of her position and her misery there. She had had a vision of her now lying prone on some unmade bed, now pacing a bare floor like a lioness deprived of her cubs. There had been moments when her mind's ear was strained to listen for some sound of grief wild enough to be wafted from afar. But the first sound, at the end of a week, had been a note announcing, without reflections, that the plan of going abroad had been abandoned. "It has come to me indirectly, but with much appearance of truth, that they are going—for an indefinite time. That quite settles it; I shall stay where I am, and as soon as I've turned round again I shall look for you." The second letter had come a week later, and on the 15th Fleda was on her way to Ricks.

Rather musingly and absently Fleda shook her head. "I don't mind anything." The exchange of observations between the friends had grown very direct by the time Fleda asked Mrs. Gereth whether she literally meant to shut herself up and stand a siege, or whether it was her idea to expose herself, more informally, to be dragged out of the house by constables. "Oh, I prefer the constables and the dragging!" the heroine of Poynton had answered. "I want to make Owen and Mona do everything that will be most publicly odious." She gave it out that it was her one thought now to force them to a line that would dishonor them and dishonor the tradition they embodied, though Fleda was privately sure that she had visions of an alternative policy. The strange thing was that, proud and fastidious all her life, she now showed so little distaste for the world's hearing of the squabble. What had taken place in her above all was that a long resentment had ripened. She hated the effacement to which English usage reduced the widowed mother: she had discoursed of it passionately to Fleda; contrasted it with the beautiful homage paid in other countries to women in that position, women no better than herself, whom she had seen acclaimed and enthroned, whom she had known and envied; made in short as little as possible a secret of the injury, the bitterness she found in it. The great wrong Owen had done her was not his "taking up" with Mona—that was disgusting, but it was a detail, an accidental form: it was his failure from the first to understand what it was to have a mother at all, to appreciate the beauty and sanctity of the character. She was just his mother as his nose was just his nose, and he had never had the least imagination or tenderness or gallantry about her. One's mother, gracious heaven, if one were the kind of fine young man one ought to be, the only kind Mrs. Gereth cared for, was a subject for poetry, for idolatry. Hadn't she often told Fleda of her friend Madame de Jaume, the wittiest of women, but a small, black, crooked person, each of whose three boys, when absent, wrote to her every day of their lives? She had the house in Paris, she had the house in Poitou, she had more than in the lifetime of her husband (to whom, in spite of her appearance, she had afforded repeated cause for jealousy), because she had to the end of her days the supreme word about everything. It was easy to see that Mrs. Gereth would have given again and again her complexion, her figure, and even perhaps the spotless virtue she had still more successfully retained, to have been the consecrated Madame de Jaume. She wasn't, alas, and this was what she had at present a magnificent occasion to protest against. She was of course fully aware of Owen's concession, his willingness to let her take away with her the few things she liked best; but as yet she only declared that to meet him on this ground would be to give him a triumph, to put him impossibly in the right. "Liked best"? There wasn't a thing in the house that she didn't like best, and what she liked better still was to be left where she was. How could Owen use such an expression without being conscious of his hypocrisy? Mrs. Gereth, whose criticism was often gay, dilated with sardonic humor on the happy look a dozen objects from Poynton would wear and the charming effect they would conduce to when interspersed with the peculiar features of Ricks. What had her whole life been but an effort toward completeness and perfection? Better Waterbath at once, in its cynical unity, than the ignominy of such a mixture! "I took hold of them hard—I put them in the forefront. I made them work."